I just want to inform you all that I’m leaving for a trip tonight, and I won’t be around to moderate comments\spam or Bleepwatch submissions. I’ll be back in a week or two. You can still submit releases– I’ll just post all of them upon return!
Sergi may be around to make release posts, so keep an eye out under this post. I’m going to make this into a sticky so that everyone knows what’s going on. Bleep back soon.
Cheers,
Patrick
“The first release of Russian duo electronica musicians. As they have characterized, ‘We have played electro-ethno drums, having diluted their electronic’. This release includes some heavy break-beat style ethnic drums that sound amazing and a down-tempo, lo-fi piano feeling at the same time. Unique in its own way.”
“And here they are! Bo Green and Kent Holm - the legendary Ixtlan! Giving you the sound of the street, the sound of the forest, the sound of space and time, the sound of confusion and the sound of illusion. From the midnight misery to the cold light of day. From the sewers to the skies. Who are these people? What do they want from us? Step into the blue ball and find out.”
“Another set of ambient drone pieces based from samples of Verian Thomas’s Massive album on the Negative Sound Institute net label. I’d like to thank Mr. Thomas and NSI for offering these recordings under a Creative Commons License.”
“These drone pieces are made entirely of samples from Verian Thomas’s Massive album on the Negative Sound Institute net label. Id like to thank Mr. Thomas and NSI for offering these recordings under a Creative Commons License.”
“Old Strikes New releases his Arcade Awake EP after a lengthy period making final production tweaks and the results are simply outstanding. The title track is a 9-minute centrepiece of hip-hop beats and free jazz noodlings that blends the experimental sounds of Tortoise and the Anticon label into a fluid audio collage. This is surrounded by six pieces of deep, moody electronica that combine lulling piano, pensive dialogue, jittery beats and an overall sense of stark, aesthetic beauty.”
“Once again No Type: Annexe unveils the unexplored side of an artist, this time with Galerie Stratique’s unreleased tracks from his second and much acclaimed album Horizzzons (2003). Adieu IDM (outtakes d’Horizzzons) takes you through translations of etheral charm, into a blurred and intimate voyage.”
“For his third volume in the collection, A_dontigny presents a playful and quirky adaptation of Lies, Inc. written by Phillip K Dick in 1966. Here, the psychedelic adventures of Rachmael Ben Applebaum are transformed into an orgy of MC-303.”
Hey Bleepwatchers,
We’ve got a new interview up from David Keifer, featuring Chase Lanier and John Romero of Custom Music Records. Go check it out in the interview section, or CLICK HERE to teleport directly to it via the interwebs!
In other news, I’d like to graciously welcome Sergi back to Bleepwatch, as you may have noticed him absent for a bit [very busy!], he’s back to helping with release submissions. So, welcome back, friend!
But wait, there’s more!
I’d like to thank those who have selflessly donated to Bleepwatch in order to support the netlabel scene. So, thanks to [in alphabetical order]:
Your donations have helped keep Bleepwatch alive and running! If you would like to become a Bleepwatch donor, click the “SUPPORT BLEEPWATCH!” link at the top of this page. I’ll be giving out propz each time a handful of donations come in– so support Bleepwatch, the netlabel scene, and fuck the RIAA while you’re at it!
Let’s see, what else…
Oh! Bleepwatch was chosen as the website of the week in Episode 22 of the excellent Gamewave Podcast, hosted by Joe Allen and Mike Cook. Go check it out.
Last, but not least, I apologize if I haven’t yet returned an email you’ve sent me. Things have been extremely busy, and I will respond when able. Thanks, and keep on bleepin’.
Patrick
“Scrambled Mache makes his debut on CMR with Music For People Who Don Like Music. Scrambleds unique style makes for a great addition to the Custom roster and catalog. His obscure electronic styling and jumbled beats supply an enjoyable listening experience.”